
yesterday was the 200th birthday of edgar allan poe, the man who perfected the gothic story, fathered the detective story, and because all fiction is speculative, tried to shatter every literary shackle (*annabel lee* is of course, a romance and putting fabio on the cover with a dead girl would still make it work).
i grew up on his stories and poems before i could even read – out of lack of choice as we didn’t have a teevee. my father would read to me *the raven* complete with a dramatic exclamation on nevermore! over candlelight during power interruptions which occurs often in the province.
the stories were read aloud too, with annotations and explanations which makes the terror all the more terrifying and the wonder, all the more wonderful. from the *tell-tale heart* to the *murders on rue morgue* everything was read over the course of my preschool years.
(there were other literary greats on the menu like joyce kilmer but my brother, ever the genius, cut down *trees* with a question: if it started as something environmental, why did it end as something religious? ladies and gentlemen, the other bueno boy.)
probably the best gift he ever gave aside from perfecting the short story was defining it: something that should be read in one sitting. there’s no bull unlike wordsworth’s definition of poetry, which meanders like a coward: the spontaneous overflow…oh gods. that’s not to say that he can’t do poetry. there is no recollection in tranquility when it comes to poe’s poems, just science and mathematics. to explain his poetry construction, a early 90s copy ad about the poe museum has the headline: poe predated einstein in the theory of relativity by a century. he also beat him on the hairdo.
and because he’s the man, there’s also the poe who’s the original defiler of underage girls and close cousins.
if only absinthe can be legally had, yesterday would be a good day to break two weeks of sobriety.